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11 |
Figure 1 - Nude Woman (1910) by Pablo Picasso, Oil on canvas 187.3 X 61 cm (73¾ X 24 ins) |
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Figure 2 - Disks of Newton (1911-12) by Frantisek Kupka, Oil on canvas 49.5 X 65 cm (19½ X 25¾ ins) |
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Figure 3 - Contrast of Forms 1913!by Ferdinand Leger Oil on canvas 100.3 X 81.2 cm 39½ X 32 ins |
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Figure 4 - Untitled, or First Abstract Watercolour (c.1910-13) by Wassily Kandinsky Watercolour 50 X 65 cm (19¾ X 25½ ins.) |
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Figure 5 - Painting (1933) by Joan Miro Oil on canvas 133 X 166 cm (52½ X 65½ ins) |
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Figure 6 - White on White (1919) by Kasimir Malevich Oil on canvas 79.4 X 79.4 cm (31¼ X 31¼ ins) |
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Figure 7 - Table of Colour (in Grey Major) (1930) by Paul Klee Pastel and paste on cardboard 39.5 X 29.25 cm (15¾ X 11¾ ins) |
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Figure 8 - Green on Green (1938) by Paul Klee Distemper on linen 28.5 X 33.5 cm (11¼ X 13¼ ins) |
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Figure 9 - Composition (1947) by Wols Oil on canvas (N.D.A.) |
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Figure 10 - False Perspective (1754) by William Hogarth Etching. Frontispiece to Dr Brook Taylor’s Method Of Perspective Made Easy |
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Figure 11 - Passage from Virgin to Bride, (1912) by Marcel Duchamp Oil on canvas 59.4 X 54 cm (23 ½ X 21 ¼ ins) |
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Figure 12 - I and the Village (1911) by Marc Chagall Oil on canvas (75¼ X 59¼ins) |
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Figure 13 - The Uncertainty of the Poet (1913) by Giorgio De Chirico Oil on canvas 106 X 94 cm (41½ X 37ins) |
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Figure 14 - The Treachery of Images (1928-29) by Rene Magritte Oil on canvas 64.5 X 94 cm (25¼ X 37 ins) |
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Figure 15 - Guitar, Sheet Music and Wine Glass, (1912) by Pablo Picasso Pasted paper, gouache and charcoal 47.9 X 36.5 cm (18¼ X 14½ ins) |
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Figure 16 - Composition with the Mona Lisa (1914) by Kasimir Malevich Oil and collage on canvas 62.5 X 49.3 cms (24½ X 19½ ins) |
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Figure 17 - Woman in an Armchair (1910) by Pablo Picasso Oil on canvas (N.D.A.) |
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Figure 18 - Woman in an Armchair (1913) by Pablo Picasso Oil on canvas 150 X 100 cm. |
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Figure 19 - The Painter and his Model (1914) by Pablo Picasso Oil and pencil on linen 58 X 55.9 cm (22¼ X 22 ins) |
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Figure 20 - The Tightrope Walker, or The Equilibrist (1923) by Paul Klee Watercolour 48.5 X 31.5 cm (19 X 12½ ins) |
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Figure 21 - Head of a Pipe-smoker 1925 by Joan Miro Oil on canvas 64 X 49 cm (25½ X 19¼ ins) |
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Figure 22 - The Twin’s Place (1929) by Paul Klee Watercolour 27.5 X 30.5 cm (10¾ X 12 ins) |
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Figure 23 - Painting on Masonite (1936) by Joan Miro Oil on masonite 78 X 100 cm (30¾ X 39½ ins) |
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Figure 24 - Stratified rock nature’s gift composed of gneiss lava Icelandic moss 2 varieties of bladderwort 2 varieties of perineal hernia cardiac vegetation (b) the same in polished casket, a little more expensive (1920) by Max Ernst Gouache and pencil on print 15.2 X 20.6 cm (6 X 8¼ ins) |
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Figure 25 - The Persistence of Memory (1931) by Salvador Dali Oil on canvas 24.1 X 33 cm (9½ X 13 ins) |
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Figure 26 - The Metamorphosis of Narcissus (1937) by Salvador Dali Oil on canvas 50.8 X 78.2 cm ( 20 X 30¾ ins ) |
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Figure 27 - Fantasia II, (1944) by Carl-Henning Pederson, Oil on canvas (N.D.A.) |
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Figure 28 - Small Rebus (1956) by Robert Rauschenberg Combine painting 35 X 48ins |
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Figure 29 - The Thirty First Canto (1959-60) by Robert Rauschenberg Transfer drawing, watercolour and pencil 36.8 X 29.2 cm (14½ X 11½ ins) |
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Figure 30 - Hostage, (1945) by Jean Fautrier Oil on paper, mounted on canvas 35 X 27 cm (13¾ X 10½ ins) |
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Figure 31 - Still Life with Passport (1953) by Jean Dubuffet Oil on canvas, (38¼ X 51 ins) |
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Figure 32 - Minutiae (1954) by Robert Rauschenberg Oil and collage with objects (84½ X 81 X 30½ ins). |
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Figure 33 - Flag above White with Collage (1955) by Jasper Johns encaustic and collage on canvas (22½ X 19¼ ins) |
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Figure 34 – Map (1962) by Jasper Johns encaustic and collage on canvas (22½ X 19¼ ins) |
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Figure 35 - Three Plaster Heads (1947) by Alberto Giacometti Oil on canvas (N.D.A.) |
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Figure 36 - Woman 1 (1950-52) by Willem de Kooning Oil on canvas 75¾ X 58 ins |
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Figure 37 - Study after Velasquez’s Portrait of Pope Innocent X (1953) by Francis Bacon Oil on canvas 153 X 118 cm (60¼ X 46½ ins) |
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Figure 38 - Washington Crossing The Delaware (1953) by Larry Rivers Oil on canvas 149 X 255 ins (83⅝ X 111⅝ ins) |
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Figure 39 - Hommage à Chrysler Corp. (1957) by Richard Hamilton Oil, metal foil and photograph on panel 122 X 81 cm (48 X 32 ins) |
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Figure 40 - On The Balcony (1955-57) by Peter Blake Oil on canvas 121.3 X 90.8 cm (47¼ X 35¼ ins) |
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Figure 41 - Popeye (1961) by Roy Lichtenstein Oil on canvas 121.3 X 90.8 cm (47¼ X 35¼ ins) |
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Figure 42a+b - Storm Window (1960) (a) and (1961) by Andy Warhol Acrylic on canvas 182.9 X 152.4 cm (72 X 60 ins) SAME SCAN FOR BOTH |
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Figure 43 - Engagement Ring (1963) by Patrick Caulfield Oil on board 122 X 122 cm (48 X 48 ins) |
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Figure 44 - View of the Rooftops (1965) by Patrick Caulfield Oil on board (30 X 60 ins) |
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Figure 45 - Gli Omosessuali – Privacy (1966) by Valerio Adami Acrylic on canvas 200 X 300 cm (78¼ X 118 ins) |
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Figure 46a - The Most Beautiful Boy in the world (1961) by David Hockney Oil on canvas 177.8 X 100.3 cm (70 X 39½ ins) |
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Figure 46b - The Most Beautiful Boy in the world (1961) by David Hockney Oil on canvas 177.8 X 100.3 cm (70 X 39½ ins) |
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Figure 47 - Flight into Italy (1962) by David Hockney Oil on canvas 183 X 183 cm (72 X 72 ins) |
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Figure 48 - The Ohio Gang (1964) by R. B. Kitaj Oil and crayon on canvas 183.1 X 183.5 cm (72⅛ X 72¼ ins) |
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Figure 49 - I WILL LOVE YOU WITH MY FORD (1962) by James Rosenquist Oil on canvas 210.2 X 237.5 cms (82¼ X 93½ ins) |
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Figure 50 - Annie (1962) by Edward Ruscha Oil on canvas 182.9 X 170.2 cm (72 X 67 ins) |
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Figure 51 - Chemical (1966) by Edward Ruscha Oil on canvas 51 X 61 cm (20 X 24 ins) |
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Figure 52 - Mona Lisa (1963) by Andy Warhol Silkscreen on canvas 325.7 X 208.3 cm (129 X 82 ins) |
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Figure 53 - Orange Disaster (1963) by Andy Warhol Silkscreen on canvas 76.5 X 76.2 cm (30⅛ X 30 ins) |
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Figure 54 - Estate (1963) by Robert Rauschenberg Oil and silkscreen on canvas (96 X 70 ins) |
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Figure 55 - Exotic Trail(1985) by Robert Rauschenberg Acrylic on stainless and galvanised steel (84¼ X 108¼ ins). |
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Figure 56 - Le Dejeuner sur l’herbe (1964) by Alain Jacquet Lacquer on canvas 175 X 197 cm (68⅛ X 77½ ins) |
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Figure 57 - Deceleration No 3 (1964-9) by Gerald Laing Acrylic on canvas 135 X 122 cm (52 X 48 ins) |
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Figure 58 - The Tennis Player (1964) by Sigmar Polke Dispersion on canvas (190 X 150 cm). |
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Figure 59 - Administration Building (1964) by Gerhard Richter Oil on canvas 90 X 150 cm (38 X 59 ins) |
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Figure 60 - Kitchen Chair (1965) by Gerhard Richter Oil on canvas 100 X 80 cm (39½ X 31½ ins) |
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Figure 61 - Townscape Madrid (1968) by Gerhard Richter Oil on canvas 227 X 292 cm (109 X 115 ins) |
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Figure 62 - Courbet (1986) (616 cat) by Gerhard Richter Oil on Canvas 300 X 250 cm (118¼ X 98½ ins) |
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Figure 63 - Skull (1983) nr 548 by Gerhard Richter Oil on canvas 55 X 50 cm (21½ X 19½ ins) |
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Figure 64 - 4096 Colours (1974) by Gerhard Richter Enamel on canvas 254 X 254 cm (100 X 100 ins) |
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Figure 65 - Mark (1978-9) by Chuck Close Acrylic on canvas 274 X 213 cm (108 X 84 ins) |
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Figure 66 - Francesco II (1988) by Chuck Close Oil on canvas 183 X 152.4 cm (72 X 60 ins) |
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Figure 67 - On Deck (1966) by Malcolm Morley Acrylic on canvas 212.7 X 161.9 cm (83¾ X 63¾ ins) |
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Figure 68 - Lizard’s Head (1971) by Joseph Raphael Oil on canvas (84 X 84 ins) |
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Figure 69 (a) - Dick’s Union General (1971) by Ralph Goings Oil on canvas (40 X 50 ins) |
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Figure 69b -Insert detail to Dick’s Union General (1971)
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Figure 70 - Bohnen (1965) by Sigmar Polke Dispersion on fabric (49 X 40 cm) |
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Figure 71 - Negerplastik (1968) by Sigmar Polke Dispersion on printed fabric, on canvas, (150 X 130 cm) |
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Figure 72 - Alice im Wunderland (1971) by Sigmar Polke Mixed media on patterned fabric, (300 X 290 cm) |
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Figure 73 - Jeux d’enfants (1985) by Sigmar Polke Synthetic resin and dispersion on fabric, (225 X 300 cm) |
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Figure 74 - Reiherbild IV (1969) by Sigmar Polke Acrylic on beaver cloth, (190 X 150 cm) |
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Figure 75 - Systembild (1963) by A. R. Penck Oil on canvas, (130 X 100 cm) |
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Figure 76 - Café Deutschland I (1977/8) by Jörg Immendorff ‘Art-resin’ on canvas, (282 X 320 cm) |
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Figure 77 - Quaternity (1973) by Anselm Kiefer Charcoal and oil on burlap, 300 x 435 (118 X 171½”) |
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Figure 78 - Varus (1976) by Anselm Kiefer Oil and acrylic on burlap, (200 X 270 cm) |
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Figure 79 - Märkische Heide, (1974) by Anselm Kiefer Oil on canvas, (118 X 254 cm) |
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Figure 80 - Die Meistersinger, (1982) by Anselm Kiefer Straw and oil on canvas, (190 X 280 cm) |
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Figure 81 - He Teaches Emotions with Feelings, (1980) by Francesco Clemente Fresco, 300 X 600 cm (9’10” X 19’8”) |
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Figure 82 - Self portrait with Bird, (1980) by Francesco Clemente Oil on linen, 40 X 29.8 cm (15¼ X 11¼ “) |
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Figure 83 - His Brain (1984) by David Salle Oil and acrylic on canvas, acrylic on fabric, two panels, 297 X 269 cm (9’9” X 8’9”) |
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Figure 84 - King Kong (1983) by David Salle Acrylic and oil on canvas, with shelf and coffee table attached (312.5 X 244 X 68 cm) |
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Figure 85 - The Burning Bush (1982) by David Salle Acrylic and oil on canvas, (214 X 300 cm) |
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Figure 86- The Patients and the Doctors, (1978) by Julian Schnabel Plaster, oil, plates and tile on masonite, (244 X 274 cm) |
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Figure 87 - Portrait of God (1981) by Julian Schnabel Oil and wax on tarpaulin, 274 X 366 cm) (from the five-part work, ‘The Mutant Kings’ 1981) |
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Figure 88 - Prehistory, Glory, Honour, Privilege, Poverty (1981) by Julian Schnabel Oil and antlers on pony skin, (325 X 450 cm) |
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Figure 89 - Z A.D. (Wreath for Tennessee Williams) (1983) by Julian Schnabel Oil and fibreglass on tarpaulin, (335 X 244 cm) |
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Figure 90 - Resurrection: Albert Finney meets Malcolm Lowry (1984) by Julian Schnabel Oil and modelling paste on velvet (305 X 274 cm) |
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Figure 91 - Butterfly (1978) by Susan Rothenberg Acrylic and matte on canvas, 176.5 X 210.8 cm (69 X 83”) |
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Figure 92 - Amorphia: Fugue in Two Colours (1912) by Frantisek Kupka Oil on canvas 211 X 220 cm (83 x 86.5”) |
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Figure 93 - Vir Heroicus Sublimus (1950-1) by Barnett Newman Oil on canvas 242 X 541 cm (7ft 11½ X 17 ft 9¼ “) |
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Figure 94 - White Yellow Red on Yellow (1953) by Mark Rothko Oil on canvas 230 X 180.3 cm (90¼ X 71 ins) |
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Figure 95 - Homage to the Square; Ascending (1953) by Josef Albers Oil on composition board 111 x 111 cm (43 X 43 ins) |
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Figure 96 - Rhythmic Progression (1957-59) by Richard Lohse Oil on canvas 18¾ X 28½ ins |
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Figure 97 - Rolleboise (1955) by Richard Mortensen Oil on canvas N. D. A. |
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Figure 97+ Library (1949) by Vierra da Silva N.D.A. |
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Figure 98 - Belle Isle (1947) by Victor Vasarely Oil on canvas N.D. A. |
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Figure 99 - Structural Constellation (1953-58) by Josef Albers Lithograph, N. D. A. (see footnote to text) |
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Figure 100 - Tomlinson Court Park (1959) by Frank Stella Enamel on canvas (85 X 109¾ ins) |
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Figure 101 - The Rose (1958-64) by Jay De Feo Oil on canvas 330 X 230 X 20 cm (10’9” X 7’8” X 8”) |
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Figure 102 - Alpha Pi (1960) by Morris Louis Acrylic on canvas 281.6 X 433.1 cm (8’7” X 14’2½”) |
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Figure 103 - Markab (1956) by Victor Vasarely Oil on canvas N.D.A. |
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Figure 104 - Fall (1963) by Bridget Riley Acrylic on board, (41 X 140.3 cm (55½ X 55¼ ins) |
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Figure 105 - Han-San Cadence ( 1963) by Larry Poons Acrylic on canvas (72” X 144”) |
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Figure 106 - Effingham (1967) by Frank Stella Acrylic on canvas (9'2' X 10'1/4") |
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Figure 107 - Agbatana III (1968) by Frank Stella Acrylic and Fluorescent polymer on canvas (10’ X 15’) |
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Figure 108 - Saskatoon I (1968) by Frank Stella Acrylic and Fluorescent polymer on canvas (8’ X 16’) |
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Figure 109 - Beginning (1958) by Kenneth Noland Acrylic on canvas, 1.75 X 1.75 cm (5’9” X 5’9”) |
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Figure 110 - Seventh Loosha (1970) by Jules Olitski Oil on canvas, (107½ X 78”) |
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Figure 111 - Odalesque - Hey hey Frankenthauer (1969) by Linda Benglis Poured Polyurethane pigment 4.1 X 4.7 cm (13’5½ X 15’6”) |
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Figure 112 - After The Marchioness of Solana (1969) by Brice Marden Oil and wax on canvas, three panels, 195 X 297 cm (6’5” X 9’9”) |
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Figure 113 - Reconstruction Number 9 (1977) by Lucas Samaras Sewn fabrics (92 X 71½ ins) N.B. black and white reproduction and detail only. |
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Figure 114 - Aida (1979) by Robert Kushner Acrylic on mixed fabric (100 X 254¼ins). N.B. black and white reproduction only |
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Figure 115 - Installation view of 1980 exhibition by Mat Mullican (black and white only)
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Figure 116 - Prison with Conduit (1981) by Peter Halley Acrylic and Roll-a-Tex on canvas, (54 X 36ins). |
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Figure 117 Small Ferry (1985-6) Philip Taaffe N.D.A.
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Figure 118 - Supremely Black (1985) by Chaim Steinbach Plastic laminated wooden shelf, ceramic jugs and detergent boxes (29 X 66 X 13 ins). |
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Figure 119 - New Hoover Convertibles, Green, Red, Brown, New Shelton Wet/Dry 10 Gallon Displaced Doubledecker 1981-87 |
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Figure 120 - Rabbit (1986) by Jeff Koons Stainless steel, (41 X 19 X 12”) |
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Figure 121 - Michael Jackson and Bubbles (1988) by Jeff Koons Porcelain, edition of three, 106.7 X 179 X 81.3 cm (42 X 70½ X 32 ins) |
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Figure 122 - L.A.D.S. (1993) by Gabriel Orozco Sutured car, metal, leather, coated fabric (140 X 480 X 114cm) |
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Figure 123 - Varieties of Coral – Zen Deliverance (1984) by Terence La Noue Acrylic, metallic powder and other materials on canvas, (89 X 91¼ ins) |
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Figure 124 - Untitled (one in brown) (1989) by Fiona Rae Oil on canvas, (213.4 X 198 cm). |
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Figure 125 - Untitled (1993) by Albert Oehlen Oil on printed fabric (240 X 240 cm). |
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Figure 126 - Untitled or Mental Map: Evasion III (1996) by Franz Ackermann Oil on canvas (280 X 285 cm). |
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Figure 127 - GLP-26-2001 (2001) by Frank Nitsche Oil on canvas (118 X 98 cm). |
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Figure 128 - Federal Reserve (Capital) (2001) by Sarah Morris Gloss enamel on canvas, (214 X 124 cm). |
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Figure 129 - Descent (2001) by Odili Donald Odita Acrylic on canvas, (84 X 104 cm). |
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Figure 130 - Spring Training (1985) by Jonathan Lasker Oil on canvas, (200 X 150 cm). |
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Figure 131 – To an Object of Love (1991) by Jonathan Lasker Oil on linen, 78 x 108 inches (198 x 274.3 cm) |
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Figure 132 - The Value of Pictures (1993) by Jonathan Lasker Oil on canvas, (244 X 335 cm). |
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Figure 133 - Cold Mountain 2 (1988-91) by Brice Marden Oil on canvas, 274 X 365 cm (72 X 95 ins) |
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Figure 134 - Ceremonial Ground at Kulkuta (1981) Anatjari Tjampitjinpa Acrylic on canvas, 183.5 X 182 cm (71¾ X 71¼ ins) |
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Figure 135 - Wakiripirri Jakurrpa (1985) by Liddy Napanangka Walker, Topsy Napanangka and Judy Nampijinpa Granites Acrylic on canvas, 124.6 X 122.8 (49 X 48¾ ins) |
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Figure 136 - Deposition (1986) by Therese Oulton Oil on canvas, (195.6 X 177.8 cm) |
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Figure 137 - Remember (1986) by Sean Scully Oil on canvas, 243.5 X 317 cm (96 X 125 ins) |
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Figure 138 - Regenerative and Needy (1991) by Lari Pittman Acrylic and enamel on mahogany panel, (82 X 66 ins). |
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Figure 139 -Water (1987) by David Wojnarowicz Acrylic, ink, collage on masonite, 72 X 96 ins (183 X 244 cm) |
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Figure 140 -The Lost Boys (1993) by Kerry James Marshall Acrylic on canvas 104 X 120 (264.2 X 304.8 cm) |
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Figure 141 - Once Again, First In the World (1993) by Manuel Ocampo Oil on canvas 96 X 96 ins (243.8 X 243.8 cm) |
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Figure 142 -Parents and Children (2000) by Mathew Ritchie Oil and marker on canvas, (92 X 120 ins). |
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Figure 143 - The Diagnostic View IV (1992) by Luc Tuymans Oil on canvas, (54 X 38 cm). |
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Figure 144 - Suspended (1989) by Luc Tuymans Oil on canvas, (60 X 40 cm). |
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Figure 145 - Jarvis (1996) by Elizabeth Peyton Oil on panel, (28 X 36 cm). |
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Figure 146 - Mary O’Connel (1989) by John Currin Oil on canvas, 86.4 X 96.2 cm (34 X 30ins). |
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Figure 147 - The Never Ending Story (1993) by John Currin Oil on canvas 96.5 X 76.2 cm (38 X 30 ins). |
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Figure 148 - Faucet (1995) by Lisa Yuskavage Oil on canvas, (72 X 60 ins). |
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Figure 149 - Now I’m Gonna Take A Vacation (1994) by Rita Ackerman Acrylic on canvas (147 X 228 cm). |
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Figure 150 - Untitled (Beyond Taxes) (1999) by Dirk Skreber Mixed medium, (140 X 400 cm). |
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Figure 151 - Kühlraum (2002) by Neo Rauch Oil on canvas (210 X 300 cm). |
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Figure 152 - Hatz (2002) by Neo Rauch Oil on canvas, (210 X 250 cm). |
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Figure 153 -Tabu (2001) by Neo Rauch Oil on paper (243 X 198 cm). |
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Figure 154 - Telemarker (Pas des Chevres) (1996) by Peter Doig Oil on canvas, (275 X 200 cm). |
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Figure 155 - Anything Else (1998) by Damien Loeb Oil on canvas, (127 X 187.9 cm). |
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Figure 156 - Hem (1999) by Jenny Saville Oil on canvas (120 X 84 ins). |
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Figure 157 - One Touch of Venus (1999) by Cecily Brown Oil on canvas, (152 X 190 cm). |
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Figure 158 - Light Bulbs (1987) by Lisa Milroy Oil on canvas, 203 X 284.5 cm (80 X 112 ins). |
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Figure 159 - Devil’s Fudge Falls (1999) by Will Cotton Oil on canvas (96 X 144 ins). |
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